![]() Kirkegaard include shots of Imelda getting her makeup done, or asking, “How’s my tummy? Does it look big?” before sitting for one of the interviews in which she strategically attempts to reshape and control her own narrative. Still, her vanity and ambition get the better of her, resulting in the juiciest insider look at a corrupt world leader since Barbet Schroeder’s “General Idi Amin Dada: A Self Portrait.”įrom the outset, Greenfield and editor Per K. Certainly, Marcos is image-conscious enough to recognize that granting Greenfield such access could backfire in a big way. ![]() What Greenfield’s subjects never seem to grasp is how her work manages to flatter them, captured in all their blinged-out excess, while striking outsiders as satirical and shocking. In light of the recurring themes of Greenfield’s oeuvre - decades spent documenting the lifestyles of the filthy rich and wannabe famous, à la “The Queen of Versailles” and “Generation Wealth” - it’s no wonder that Marcos would be amenable to being immortalized by such a high-profile photographer. Bizarrely, Marcos embodies both of those personae in a single public figure, and though the perception she’s creating is that of a magnanimous matriarch, Greenfield finds the truth (there’s that word) to be far more complicated. Even as far away as the Philippines, the photographer can’t escape glaring reminders of American absurdity - as when the recent Filipino elections seem to echo the United States’ surreal 2016 presidential ballot, which pitted a former first lady against a populist plutocrat. Marcos’ print-the-legend philosophy has particular resonance in a post-truth world, although such sinister undertones sneak up on audiences in a movie that begins, innocently enough, as the latest of Greenfield’s astonishing portraits of wealth run amok. Now, back from exile, the disgraced former first lady is fully invested in reclaiming her family’s position atop a country whose coffers they once pillaged, attempting to bend democracy and boost her son, Ferdinand “Bongbong” Marcos Jr., to power. Once world-famous for her shoe collection, Imelda benefited enormously from husband Ferdinand’s two-decade dictatorship over the of the Philippines, until being forced to flee to Hawaii in 1986. At the same time, I am working on a few projects for platforms and TV channels, as on two feature films.“Perception is real, and the truth is not,” announces Imelda Marcos in “The Kingmaker,” a jaw-dropping documentary in which director Lauren Greenfield exposes just how effective the wounded peacock has been in reshaping her status. I am currently in post-production and I will start in September the preparation of another television series, "Astrid et Raphaëlle". In 2021, I directed 4 episodes of the famous French television series "Munch". Summer 2020, I shot "Dolorès, the curse of the red sweater", a series combining documentary and fiction (4X52 ') for Canal +. In July 2018, I shot in Los Angeles my 5th feature film "Darkness Falls", written by Giles Daoust and produced by Title Media, Lone Suspect & Koji Productions. I also produced two of my films with my company, DAIGORO FILMS. I directed 4 feature films, Yamakasi, Sons of the wind, Scorpion, Night Fare (Best film at the Denver MILE HORROR film festival), 4 TV movies, 80 TV series episodes, a documentary on 4 MMA fighters and wrote some scenarios. I won the Grand Prix of the artistic directors club in 1997, two bronze LIONS at the Cannes festival in 19, the public's Marcus in 2003 at the SATCAR film festival, two LYNX (Gold and Silver) in 2009 at the Dubai Film Festival. I've done a few hundred commercials and music videos over the past 28 years. Directors who come from these mediums have to go fast, they work with clients and agencies, they are involved in the profitability of their films and do not want their budgets overflow. I started in advertising and music videos. So when Akira Kurosawa's "Seven Samurai" touched my heart, I decided to become a filmmaker. And then I was bowled over by movies like The Exorcist, Star Wars, The Shining, Rocky, and Alien. When I was young, I wanted to be a Karate master. Kind of like when a kid finds out he's going to the park… On a set, I am overwhelmed with joy. I always say that making movies is my playground.
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